A Note (and then hiatus)
April 9, 2008
I can’t keep doing this to my stomach and my health, my consciousness and my emotions, my work and life. And since the woman I did it for has asked for it to stop, I will honor that.
But before I saw her request, I wrote this at Hugo Schwyzer’s in response to Elaine Vigneault and probably to many others who feel the same way. I should have just sipped the hemlock directly instead of mixing it into some red Kool-Aid. This is it until May 16th.
Regardless of whether or not Amanda outlined the article prior to the speech, her refusal to include WOC who obviously wanted to be included in the discussion is the real issue here.
Oh my Jesus, no. It’s not. It’s really not.
The real issue is the work of women of color gets trivialized or rendered invisible every time our feminisms intersect.
I don’t know how anyone could read the Seal Press situation as a request for inclusion unless they have a highly inflated sense of their worth. “Fuck Seal Press” is not a cleverly short and provocative book proposal, not a plea for love, or a request for respect. It’s a dismissal. Though it may lack context in the post it’s written in, it is NOT without context in Seal Press’s decline in incorporating and publishing works by women of color.
I also don’t know how anyone can read this situation as a request for inclusion into dialogue. It is about work and respect for that work which is ongoing, with or without the weigh-in of white mainstream feminists. Just tossing our names in isn’t enough. But it’s a start in showing that the ideas that you’re presenting are not novel and that they have a foundation beyond the “zeitgeist” of the time. This is not a new concept. It’s called appropriation. May not have the force of “stealing” or “plagiarism” but it’s much worse in its impact.
That’d take knowledge and engagement with the idea that women of color do feminist work, anti-racist work, work involving people with disabilities and LGBT that decidedly does not depend on white feminists noticing them. Yet the ideas and information from the work of women of color find its way into the books and articles of white feminists without attribution.
Feminism is not limited to one action or conceptualization. There is not only one movement. We are not trying to join anything or to have ourselves included in anything. Once again, please stop ego tripping. There are publishing houses, copyrights, programs, networks, opportunities and consciousness for women of color. We pour our experiences and our passions into the work we present, the work we do, the work we live everyday. We want credit for what we’ve done and what we’re doing when it trickles down and through to white middle-class feminism.
We don’t want disembodiment from issues that affect us because it reached someone [else] later than it touched us. We don’t want our bodies and our lives and our truths dependent on whims and zeitgeists and bound to arbitrary timelines. Our strongest claim to these issues beyond dates and clear similarities of theory and synthesis is we live in them and they live in us.
The red herrings tearing this discussion away from this fundamental request for respect are galling.
Now back to building this bridge called my life.
addendum
Another thing this debate conjures for me is when people have been caught for writing fictionalized memoirs, race, and the question of authenticity. I’m sure people have heard about the Margaret B. Jones debacle, for example. I think in situations like Jones’s, the clear line where appropriation diverges from attribution begins to rise and become clear.
Stereotypically, the situations and narratives Jones identifies in her work are experiences linked with a certain class and race in America. But Jones, through her whiteness, gained more popularity and eventual notoriety because she came to the situation 1) writing with a distinct claim to authority on that experience (one that was later determined she didn’t have) and 2) writing with knowledge of what people with no authority on the subject would like to read and see. Which is where the privilege of her white lens became a boon for her and a new opportunity to ignore similar narratives from people of color living the same and similar realities. Like the autobiography of Felicia “Snoop” Pearson, from the overhyped but under-acclaimed series The Wire, for example: Pearson could likely claim authenticity for her work, but because of the stereotypical nature of our system and the fact that she is writing with no conscious head nodding to the white lens, the lens of distance and cultural observation, her work is undervalued in this discourse.
That’s the same as what’s happened in this situation. No one backpedaled on the accusation of appropriation. My post, which I was careful to compose, does not link point for point where Amanda “stole” things word-for-word from BFP. Rather, it makes BFP’s work — who is just one of the bloggers who have been tying feminism with immigration before the article Amanda quoted hit the “zeitgeist” — visible. And it questions why Amanda took upon her shoulders the claim of authenticity on critical issues on immigration and feminism, immigration and dehumanizing language, and immigration and sexual abuse without giving some indication of the longstanding body of work from multiple people of color who have identified more heinous crimes, who have pointed out more causal links, and whose work undoubtedly could lead to honest and critical engagement with the situation and possible broader activism in coalition with people who don’t want to touch the situation.
Because without that reference, it invisibilizes people who do have that authenticity and experience, who live those experiences, because they cannot impose a lens of detached whiteness that they did not have into their narratives. They cannot pretend that they’re horrified witnesses without a dog in the fight who have sympathetic and probing viewpoints in the matter. And as a result of not being able to claim that detachment, you get the phenomenon Belle quotes from BFP, as well as a continuing dependence on people carrying the white lens to ferret ideas from people of color for publicizing and spreading awareness. The peddling of brown people without last names who get mundane yet detailed narratives of their every move because it’s so different. Who get their horrific moments sensationalized and their tragic and common moments ignored.
THAT’S the sinister nature of appropriation. And in this instance, by not linking to anyone that inspired her viewpoint — forget BFP, even — Amanda tapped into this narrative that has been tapped into by countless folks online and offline. And each leaking into this scheme hurts and makes the victims of invisibility less than charitable once someone white sees us and says, “Hey, what’s wrong? Please write us a book report with cross checks and proper cites, perfect spelling and grammar, and completely objective — that means don’t interpose your oversensitivity into it — yes, please write us a great screed telling us everything very clearly about what’s wrong. One ‘t’ uncrossed, and you lose your argument. And please, make sure you note everyone involved; if you fail to do so, that’s intellectually dishonest and we’ll refuse to engage with you!”













April 9, 2008 at 9:41 pm
Nice! What they seem to forget is that they aren’t the “in” kids and we are like the losers desperate to join them.
It’s too bad, because I think she ALMOST got it (more than say bad ol’ Hugo), but just not close enough. And so ended up being more offensive.
April 9, 2008 at 9:49 pm
Sylvia, I never comment here, but I just have to say that while you’re on a hiatus, I’ll miss reading you, and while extremely well-said, the fact that you’re having to say it, and the fact that it’s making you sick to have to say it, is nothing but sad.
April 10, 2008 at 11:54 am
Hiatuses are good. They restore the soul. I hope this one is good for you.
And yes, you’ll be missed while it’s in progress. But I’m glad you’re taking care of business, and taking care of yourself.
love.
April 10, 2008 at 6:03 pm
You will be missed.
I am so sad and angry that this is happening. Again.
Be well.
April 10, 2008 at 8:06 pm
No. 1 - Be well. Do you!
Miss you.
No. 2 - “Fuck Seal Press” is not a cleverly short and provocative book proposal, not a plea for love, or a request for respect. It’s a dismissal.” Brilliant.
April 10, 2008 at 11:28 pm
Take care of yourself.
April 11, 2008 at 7:22 pm
Holy Mackerel, I came here reflexively, not really hoping to see more from you because of the hiatus, and was re-bowled-over by your addendum.
I am so envious of your fellow law students who actually get to sit in class with that brain. *sigh*
April 11, 2008 at 9:57 pm
I’m not generally a commenter (here, or anywhere), but everything that’s happened has made me acutely aware of the how important our voices are. I just want to thank you for being part of that awareness.
April 12, 2008 at 6:49 pm
Take care of yourself, Sylvia.
April 13, 2008 at 4:11 am
[...] Andre Elliot Plain(s)feminist High on Rebellion Sudy (here, here, and here) Blackamazon Sylvia/M (here and ESPECIALLY HERE) Feministe (which also includes a long comments thread where Amanda attempts to [...]
April 13, 2008 at 4:48 am
Just when I’m discovering you.
Oh, well, thank goodness for archives.
BTW, this
made me cry. And I’m not a cryer.
Looking forward to your return.
April 14, 2008 at 7:24 am
Take care, be well…can’t wait for you to come back.
April 15, 2008 at 12:26 am
xo
as always, my dear…
April 16, 2008 at 11:51 am
Take care you!
We’ll still be here for as long as you need.
April 24, 2008 at 4:51 am
[...] wrote this to clarify what the real point is - the history of appropriation, of rendering people of color [...]
April 30, 2008 at 8:06 pm
Enjoy your hiatus! I’ll miss your words.
I’ll be thinking about ways to promote the girlcott.
Abrazos.